Color Mixing Calculator

Pick any two colors to see what they make, or check the reference table below for the combinations people ask about most.

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Common color combinations

These answers follow traditional paint mixing, not light mixing, since that is what people usually mean when they ask what two colors make. Complementary pairs (opposite each other on the wheel, like blue and orange) mute toward brown or gray instead of blending cleanly.

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Blue + Black = Navy

Adding black is a shade, not a hue shift: it deepens blue into a near-black navy without pulling it toward another color.

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Blue + Pink = Light Purple

A cool pink pulls blue toward violet rather than true purple.

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Blue + Red = Purple

The classic primary mix. Equal parts land on a true violet-purple.

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Orange + Black = Burnt Umber

Black doesn't just darken orange, it pulls it toward a dark, burnt umber brown rather than staying orange.

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Blue + White = Baby Blue

Adding white lightens blue without shifting it: this is a tint, not a new color.

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Black + White = Gray

Black and white sit at opposite ends of value, not hue, so mixing them lands on neutral gray with no color cast.

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Pink + Black = Deep Maroon Pink

Pink is a tinted red, so black deepens it the same way it deepens red: toward a muted maroon rather than staying vivid.

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Purple + Brown = Muddy Plum

Purple's cool undertone and brown's warm base cancel each other out, muting the mix toward a dull, muddy plum.

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Black + Purple = Deep Eggplant

Adding black is a shade, not a hue shift: it deepens purple into a dark eggplant without pulling it toward another color.

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Blue + Green = Teal

Neighbors on the color wheel, so this mix stays clean rather than muddying.

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Blue + Orange = Gray-Brown

Blue and orange are direct complements, the strongest brown-making pair on the wheel.

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Pink + Purple = Orchid

Both already share red as an undertone, so this blend stays vivid.

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Black + Green = Hunter Green

Adding black is a shade, not a hue shift: it deepens green into a dark hunter green without pulling it toward another color.

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Green + Gray = Sage Gray

Gray mutes a hue's saturation without shifting it, landing on a dusty, desaturated sage rather than a bright green.

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Pink + Brown = Dusty Rose

Pink's red undertone plus brown's muted warmth lands on a dusty, muted rose rather than a clean blend.

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Green + Purple = Muddy Brown

Roughly complementary colors, so paint mixing dulls them toward brown or gray instead of a clean blend.

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Yellow + Brown = Mustard Gold

Yellow warms and lightens brown rather than shifting its hue, landing on a golden mustard.

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Purple + Red = Magenta

Warm-leaning purple plus red pulls toward pink-violet rather than staying cool.

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Red + Yellow = Orange

The other classic primary mix, and the one most people already know.

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Blue + Purple = Blue-Violet

Two cool colors next to each other on the wheel, so the mix stays clean.

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Green + Orange = Olive Brown

Another near-complementary pair, so it mutes toward an earthy olive.

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Purple + White = Lavender

Adding white lightens purple without shifting it: this is a tint, landing on a soft lavender.

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Orange + Red = Red-Orange

Neighbors on the wheel, so this stays a clean, warm vermillion rather than muddying.

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Blue + Yellow = Green

The third classic primary mix, and often the first one taught in school.

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Purple + Yellow = Brown

Another complementary pair (purple and yellow sit opposite each other), so it dulls to brown.

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Orange + Pink = Coral

Pink's red undertone plus orange lands on a warm, peachy coral.

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Orange + Yellow = Amber

A secondary and a primary right next to each other on the wheel, so this blends clean into a golden amber.

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Orange + Purple = Brick Brown

Not true complements, but the mismatched temperatures still mute the mix toward a reddish brown.

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Yellow + Gray = Muted Khaki

Gray mutes yellow's saturation without shifting the hue, landing on a dull khaki rather than a bright yellow.

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Blue + Gray = Dusty Blue

Gray mutes blue's saturation without shifting its hue, landing on a dusty, muted blue-gray.

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Red + Gray = Dusty Brick

Gray mutes red's saturation without shifting the hue, landing on a dusty brick red rather than a vivid one.

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Yellow + White = Pale Yellow

Adding white lightens yellow without shifting it: this is a tint, landing on a soft pale yellow.

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Pink + Yellow = Peach

Pink is a tinted red, so warming it with yellow lands on a soft peach rather than a new hue.

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Green + White = Mint Green

Adding white lightens green without shifting it: this is a tint, landing on a soft mint.

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Green + Red = Brown

Complementary colors cancel each other's saturation out in paint, landing on brown.

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Green + Yellow = Chartreuse

Analogous colors, so this stays a clean, bright yellow-green.

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Green + Pink = Muddy Sage

Pink's red undertone sits close to green's complement, so the mix mutes toward a grayish olive instead of blending clean.

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Pink + Red = Coral Red

Pink is already a light red, so this mostly deepens it rather than changing the hue.

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Black + Red = Maroon

Adding black is a shade, not a hue shift: it deepens red into maroon without pulling it toward another color.

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Brown + Red = Rust

Both already lean warm, so the mix deepens toward a reddish rust rather than muddying.

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Black + Yellow = Olive Drab

Black doesn't just darken yellow, it pulls it toward a murky olive rather than a clean gray-yellow.

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Brown + White = Beige

Adding white lightens brown without shifting it: this is a tint, landing on a soft beige.

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Red + White = Pink

Adding white lightens a hue without shifting it: this is a tint, not a new color.

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Blue + Brown = Slate Blue-Gray

Brown's muted warmth dulls blue's saturation, landing on a muted slate rather than a clean hue.

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Brown + Green = Forest Brown

Two earthy tones deepen each other into a dark, mossy brown.

Where each color comes from

These two-color combinations are a different question from where a color sits in color theory itself, primary or secondary, paint or light.

See the full color wheel and every harmony scheme