Color Mixing Calculator
Pick any two colors to see what they make, or check the reference table below for the combinations people ask about most.
Common color combinations
These answers follow traditional paint mixing, not light mixing, since that is what people usually mean when they ask what two colors make. Complementary pairs (opposite each other on the wheel, like blue and orange) mute toward brown or gray instead of blending cleanly.
Blue + Black = Navy
Adding black is a shade, not a hue shift: it deepens blue into a near-black navy without pulling it toward another color.
Blue + Pink = Light Purple
A cool pink pulls blue toward violet rather than true purple.
Blue + Red = Purple
The classic primary mix. Equal parts land on a true violet-purple.
Orange + Black = Burnt Umber
Black doesn't just darken orange, it pulls it toward a dark, burnt umber brown rather than staying orange.
Blue + White = Baby Blue
Adding white lightens blue without shifting it: this is a tint, not a new color.
Black + White = Gray
Black and white sit at opposite ends of value, not hue, so mixing them lands on neutral gray with no color cast.
Pink + Black = Deep Maroon Pink
Pink is a tinted red, so black deepens it the same way it deepens red: toward a muted maroon rather than staying vivid.
Purple + Brown = Muddy Plum
Purple's cool undertone and brown's warm base cancel each other out, muting the mix toward a dull, muddy plum.
Black + Purple = Deep Eggplant
Adding black is a shade, not a hue shift: it deepens purple into a dark eggplant without pulling it toward another color.
Blue + Green = Teal
Neighbors on the color wheel, so this mix stays clean rather than muddying.
Blue + Orange = Gray-Brown
Blue and orange are direct complements, the strongest brown-making pair on the wheel.
Pink + Purple = Orchid
Both already share red as an undertone, so this blend stays vivid.
Black + Green = Hunter Green
Adding black is a shade, not a hue shift: it deepens green into a dark hunter green without pulling it toward another color.
Green + Gray = Sage Gray
Gray mutes a hue's saturation without shifting it, landing on a dusty, desaturated sage rather than a bright green.
Pink + Brown = Dusty Rose
Pink's red undertone plus brown's muted warmth lands on a dusty, muted rose rather than a clean blend.
Green + Purple = Muddy Brown
Roughly complementary colors, so paint mixing dulls them toward brown or gray instead of a clean blend.
Yellow + Brown = Mustard Gold
Yellow warms and lightens brown rather than shifting its hue, landing on a golden mustard.
Purple + Red = Magenta
Warm-leaning purple plus red pulls toward pink-violet rather than staying cool.
Red + Yellow = Orange
The other classic primary mix, and the one most people already know.
Blue + Purple = Blue-Violet
Two cool colors next to each other on the wheel, so the mix stays clean.
Green + Orange = Olive Brown
Another near-complementary pair, so it mutes toward an earthy olive.
Purple + White = Lavender
Adding white lightens purple without shifting it: this is a tint, landing on a soft lavender.
Orange + Red = Red-Orange
Neighbors on the wheel, so this stays a clean, warm vermillion rather than muddying.
Blue + Yellow = Green
The third classic primary mix, and often the first one taught in school.
Purple + Yellow = Brown
Another complementary pair (purple and yellow sit opposite each other), so it dulls to brown.
Orange + Pink = Coral
Pink's red undertone plus orange lands on a warm, peachy coral.
Orange + Yellow = Amber
A secondary and a primary right next to each other on the wheel, so this blends clean into a golden amber.
Orange + Purple = Brick Brown
Not true complements, but the mismatched temperatures still mute the mix toward a reddish brown.
Yellow + Gray = Muted Khaki
Gray mutes yellow's saturation without shifting the hue, landing on a dull khaki rather than a bright yellow.
Blue + Gray = Dusty Blue
Gray mutes blue's saturation without shifting its hue, landing on a dusty, muted blue-gray.
Red + Gray = Dusty Brick
Gray mutes red's saturation without shifting the hue, landing on a dusty brick red rather than a vivid one.
Yellow + White = Pale Yellow
Adding white lightens yellow without shifting it: this is a tint, landing on a soft pale yellow.
Pink + Yellow = Peach
Pink is a tinted red, so warming it with yellow lands on a soft peach rather than a new hue.
Green + White = Mint Green
Adding white lightens green without shifting it: this is a tint, landing on a soft mint.
Green + Red = Brown
Complementary colors cancel each other's saturation out in paint, landing on brown.
Green + Yellow = Chartreuse
Analogous colors, so this stays a clean, bright yellow-green.
Green + Pink = Muddy Sage
Pink's red undertone sits close to green's complement, so the mix mutes toward a grayish olive instead of blending clean.
Pink + Red = Coral Red
Pink is already a light red, so this mostly deepens it rather than changing the hue.
Black + Red = Maroon
Adding black is a shade, not a hue shift: it deepens red into maroon without pulling it toward another color.
Brown + Red = Rust
Both already lean warm, so the mix deepens toward a reddish rust rather than muddying.
Black + Yellow = Olive Drab
Black doesn't just darken yellow, it pulls it toward a murky olive rather than a clean gray-yellow.
Brown + White = Beige
Adding white lightens brown without shifting it: this is a tint, landing on a soft beige.
Red + White = Pink
Adding white lightens a hue without shifting it: this is a tint, not a new color.
Blue + Brown = Slate Blue-Gray
Brown's muted warmth dulls blue's saturation, landing on a muted slate rather than a clean hue.
Brown + Green = Forest Brown
Two earthy tones deepen each other into a dark, mossy brown.
Where each color comes from
These two-color combinations are a different question from where a color sits in color theory itself, primary or secondary, paint or light.